When Fantasy goes to retrieve the watermelon from the well, she finds Mac's head, which flies in the air and bites Fantasy's buttocks before she escapes.

He was married to Kyoko Obayashi. The aunt disappears after entering the broken refrigerator, and the girls are attacked or possessed by a series of items in the house, such as Gorgeous becoming possessed after using her aunt's mirror and Sweet disappearing after being attacked by mattresses. Nobuhiko Ôbayashi was born on January 9, 1938 in Onomichi, Hiroshima Prefecture, Japan. In these video interviews, recorded in 2010, director Nobuhiko Obayashi, his daughter and story scenarist Chigumi Obayashi, and screenwriter Chiho Katsura discuss the making of HOUSE, from its whimsical conception to its mind-boggling creation. As Chuck Stephens points out in the essay that accompanies our 2010 release, the plot hardly matters. After all, House is ostensibly a horror film and, although often a little creepy, it’s never truly scary; it’s much too excitable to establish any considerable dread or tension. The girls try to find the aunt to unlock the door but discover Mac's severed hand in a jar. House is a Nobuhiko Obayashi (大林 宣彦, Ōbayashi Nobuhiko, 9 January 1938 – 10 April 2020) was a Japanese director, screenwriter and editor of films and television advertisements. Nobuhiko Obayashi was given special permission from Toho to direct the film after all their contracted directors refused for fear of the film hurting their careers. The effects were intentionally made to look unrealistic, like they were conceived and executed by a child. Nobuhiko Obayashi (大林 宣彦, Ōbayashi Nobuhiko, 9 January 1938 – 10 April 2020) was a Japanese director, screenwriter and editor of films and television advertisements. The other girls also begin to encounter other supernatural traps throughout the house. The girls try to escape the house, but after Gorgeous is able to leave through a door, the rest of the girls find themselves locked in. Denn die ungebändigte Lust am Experiment, das Vertrauen in die Möglichkeiten des Mediums Film und der anarchische Wille zur Zerstörung aller denkbaren Konventionen und Zuschauererwartungen machen Obayashis Erstling in jedem Fall zu einem sinnlichen und intellektuellen Erlebnis, das seinesgleichen sucht.“ Registered charity 287780.Subscribe now for exclusive offers and the best of cinema. Gorgeous invites her six friends, Prof, who is highly academic and very good at After a tour of the home, the girls leave the watermelon in a well to keep it cold.

The girls find both her and the titular house perfectly charming upon their arrival. Ōbayashi Nobuhiko, director of the cult horror comedy House, explains that he played with an eight-millimeter camera belonging to his doctor father when he was just three years old. Ein völlig übertriebener Film, der in Fan-Kreisen Kultstatus erreichte.“ Tōhō erwartete 1977 keinen Erfolg in den Kinos und war überrascht über die hohen Besucherzahlen bei vorwiegend jungem Publikum.In Europa und Nordamerika fand der Film erst etwa 30 Jahre später Beachtung, wo er für seinen unkonventionellen Stil und seine Unvorhersehbarkeit gelobt wurde.„Einerseits ein verspielter Horrorfilm voller Kitsch und Bonbonfarben, dessen ausgefeilt-stilisierte Bilder an Jungmädchen-Fantasien erinnern, andererseits eine blutige Fantasie, die sich zu den bizarrsten Tötungsarten versteigt. “Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.A sharp panel recommends events around the world, while New York and Venice add titles to their lineups.Gina Prince-Bythewood, Pedro Almodóvar, Ellen Kuras, and Paolo Sorrentino are among the filmmakers who have lined up projects to take on as soon as it’s safe.Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales.Several of Obayashi’s earliest works can be sampled at In 1998, Obayashi won the FIPRESCI Prize in Berlin for the coloring & collage effects may seem absurd, but the amount of time & effort the filmmakers put into creating each frame argues that nothing is absurd, even dreams.. i've always been a sucker for films that accurately portray the world of dreams (david lynch's entire filmography!!! ハウス, Hausu), international House, ist ein japanischer Horror-Experimentalfilm von Nobuhiko Ōbayashi aus dem Jahr 1977, der von einer Schülerin handelt, die mit Freundinnen im Spukhaus ihrer Tante nächtigt. Juni 2020

Utilising techniques as diverse as stop-motion, hand-drawn animation, picture-in-picture and liberal use of nascent chroma key effects, House’s visual flare is dizzying.The editing is equally exuberant, whether it’s the rapid-fire cutting as Kung Fu leaps into action, or the endlessly inventive scene transitions, which lead the film to unfold with the eerie grace of a haunted pop-up book. Chigumi was eleven at the time and the story she and her father dreamed up together had seven schoolgirls venturing out to a country house possessed by a bloodthirsty spirit. He began his filmmaking career as a pioneer of Japanese experimental films before transitioning to directing more mainstream media, and his resulting filmography as a director spanned almost 60 years. But with spooky happenings around the house and the visiting party starting to shrink in numbers, both home and homeowner reveal their sinister true natures.The oft-repeated origin story for House tells of a Japanese studio, the legendary Toho company, eager to replicate the runaway success of But “something like Jaws” would be the director’s first foray into feature films and, hoping to capture the imagination of the youth market, he enlisted his young daughter Chigumi when developing the concept that would become House.Several sequences suggested by the pre-teen Chigumi Obayashi made their way into her father’s big screen debut (including a watermelon re-emerging from a well in the form of a floating severed head), as well as the central premise of “a house that eats girls”, a threat to rival any rubber shark.