Music + … It brought a new perspective to the music for me and had me digging for countless albums for weeks. they pick landmarks and artists who, perhaps, are emblematic of the genre, but do not come from the perspective of a fan that's where jeff chang's "can't stop won't stop" is so successful.academic tomes on hip-hop have a sobering tendency to come from artifice, revisionist histories written by out-of-touch scholars eager to stamp their name on uncharted territory. The writing is accessible, with wily turns of phrases and references that embrace the high & low, the mass popular & artistic aesthetic, the mainstream & the underground alike. b-boys, b-girls, anyone who's just read the comments after the rodney king vid on youtube.I feel bad about only giving it 3 stars, but this only really took off from about page 200 when it got into Public Enemy and beyond. Absolutely engrossing.

No money for drumkits, amps, guitars - just grab two copies of the same record and loop the instrumental section (hell, cut up a whole bunch of records together if you're game), then add poetry. Applying 3-month statute of limitations on books started. he's right in some ways, and i don't think that really interfers with the book. According to Chang and Herc (2008), the roots of the Hip-hop culture came from the gang culture that was prevalent in the Bronx during the late 1970s.During this period, graffiti art and hip hop music were done in the streets by black and brown people.

It is somewhat a story about how these underdogs came from rugs to riches through developing the Hip-hop culture. I'm not kidding: sure, you might bemoan the bling-obsessed aggression and shallow sexuality that you hear in passing as you switch radio-channels in your car, but the best of these guys can rhyme circles around Bob Dylan, at least rhythmically, with multiple internal rhymes, rhymes running over or falling short of the line-break, oftentimes the line break not even observed, and all of it told in an urban patois that's as funny as it is street-smart.
It provides a good overview of the social conditions that contributed to the rise of hip-hop. shame it was written before hurricane katrina, another example of american domestic policy neglecting its black population. The Weather Underground and the Young Lords Party crawled toward the final stages of violent implosion. To create our lis...Can't Stop Won't Stop: A History of the Hip-Hop GenerationFor those popular music fans who still can't see the innovation in hip-hop, maybe this book will help. chang is so much better on social history/politics than he is on actually describing the music. Exhaustive but only scratches the surface. I'm not sure what audience this book was aimed at. Can't Stop, Won't Stop: Chapter 2 Sipple Out Deh: Jamaica's Roots Generation and the Cultural Turn by Josh and Michael The chapter begins with an explanation of Jamaican culture and its influence on music – especially the interaction of Rastafarianism and Reggae music. In the neglected ghettos, there were social issues as well as political tensions and these gave rise to the practices of Hip-hop artists. The Khmer Rouge filled their killing fields. LeVar Thomas ; August 5, 2020; View Post. Goodreads helps you keep track of books you want to read. particularly the first half you don't even have to know about the music or records to get a feel for what's happening. he's definitely not too much of a oozing/gushing kiss ass; sometimes he's obviously excited by a record and at other times he's obviously taking an overly academic approach to the music. This is IvyPanda's free database of academic paper samples. Can't force myself to be interested in things I'm not interested in. The writing itself is in an undeniable hip-hop style, mixing, rapping, breaking, and tagging history in engaging and flowing prose. Can't wait to see what comes next. The first half focuses on the 70's and early 80's. I loved this book. This later grew to become famous and a source of livelihood in addition to being a form of expression.The Introduction points out the origin of Hip-hop and provides the current generation of youths with information about how the culture came into existence. In terms of it being one sided, it's a side i hadn't heard so i think it's a great place to start and it will without a doubt keep you searching and scrambling for more information to fill in the blanks or compound the meaning of events. But not so biased not to recognize when a seminal book on the historical and political context of hip-hop cultures and its generations since the late 1960s emerges that finds fans in academia, arts spaces, and all middle/high schools alike. Where the book fails is really in the final third where the focus narrows to activist culture (sometimes really tenously attached to hip-hop) and gives a lot of stage to some questionable ideas without questioning them. In terms of it beii just heard an interview with KRS where he criticized Jeff Chang and this book saying it was a little too "fan boy" and didn't compile contradicting sources and sort it out, just if "kool herc said it, it's true." December 27th 2005 Chang does well to highlight the origin of Hip-hop lest it be assumed that the culture just came into existence naturally.Something else which emerges from the segment of Babylon is Falling is that the traits of Hip-hop are associated with resistance to oppression. The political and social situation during that time forced youths into these vices since they were neglected and unable to access decent means of living.This however raises the question that, “are youths justified to adopt Hip-hop lifestyle in the current era when discrimination and poverty are addressed by the government?”What is seen today in the name of Hip-hop is a fusion of different genres of music with the themes of partying, making money or sex. The book is about how the underdogs created the Hip hop culture and music and then struggled to make these well recognized arts in the America society.

Herc explained that Hip-hop provides a voice to the oppressed and it has been used successfully in the past. The author depicts how Hip-hop grew from something that was practiced in the ghettos to the headlines in mainstream America.In this book, Chang highlights the plight of Hip-hop entertainers such as graffiti artists, deejays and emcees from the ghettos of LA, NY and Kingston and how life struggles motivated them to success.Chang captures how the pioneers of the Hip-hop culture faced economic, social and political struggles in their quest to make it in life. Very historical, very political, very gut-wrenching.