I would like to thank the three who contributed the most to this: Tom Fine, Don Norwood, and Don Ososke.

8-track; U-Matic Tapes (3/4-inch): Adapter Digital: Sony PCM 1610/1630, JVC DAS-90/900, dbx 700 are all likely; PCM-F1 is possible.

Development Throughout the late 1960s, companies around the world were working to develop video recording formats for home use. In this video it performs a dubbing … Finally, the last industrial portable U-Matic recorder I recall (which was U-Matic SP) was the VO-8800.

The tape was 0.748" wide, so the format is often known as "three-quarter-inch" or simply "three-quarter" tape. While dedicated reel-to-reel and later cassette-based digital audio recorders were being developed, for stereo use it became obvious that the high bandwidth of analog video recorders could be used for recording a digital audio bitstream. For a while, NPR was using this equipment for time-zone delay.

U-matic tapes and record decks were also used for digital audio mastering in the early days of compact discs. The digital audio is recorded on special U-matic video tapes and used as CD masters at 44,1 K sampling rate.

It stores video using MPEG-2 4:2:2 Profile@ML compression, along with four channels of 48 kHz 16 bit PCM audio.All Betacam SX equipment is compatible with Betacam SP tapes. Like all magnetic media, U-Matic to DVD conversion is needed to protect the investment made in U-Matic video. I was told that for CD mastering, the U-Matic tapes contained 16-bit digital audio encoding in the "video" portion of the tape, with a longitudinal SMPTE time code striped in one of the two channels that would normally carry audio meant for TV broadcast. Digital Memory Media provides high quality, cost effective digitization for U-matic Tapes. Since the wide bandwidth of video recorders is in the luminance signal (and not the colour subcarriers) all of this information appears to have been carried only in the luminance channel.To add to the confusion, there were dedicated formats that also used blank video tapes, but did not record in a video format. We use the latest equipment and technology to provide you an efficient, high-quality video service. Some of these transmissions were broadcast by PBS in other cities in the same manner. The work on your U-matic tapes is worth too much to be left in the past. We use the latest equipment and technology to provide you an efficient, high-quality video service. If you are looking to convert your old studio footage, video project, or business commercials to digital files to integrate into your modern workflow – Two Squares is where your tapes need to go. After we transfer your tap See “The Top 5 … In addition to recording, this data was also sent over a variety of video links.While the F1/EIAJ format was intended for consumer use, it developed a small amount of traction in both consumer and professional circles, although market penetration was never great — probably much less than DAT.

Digital Memory Media provides high quality, cost effective digitization for U-matic Tapes. U-Matic is a professional quality video tape format – a competitor to BetaCam, using ¾” video tape for TV and other professional quality video production.

As a result, transfering 3/4″ U-matic to DVD or digital files has become vital to ensure old memories and content live on. Analog: HiFi audio; Digital on VCR: There was a digital audio mode, I believe, on this system; Adapter Digital: While possible, probably not likely; Dedicated Digital: TASCAM DTRS (DA-88, etc.) WGBH transmitted weekly audio broadcasts of the Boston Symphony in the PCM-F1 format using a local UHF TV channel so that Boston residents who had PCM-F1s could listen to  the  concerts  with the best possible fidelity.