16:50. 2 The other, Summerfold Records, focuses on his jazz output, mostly from post-1987.Bruford retired from performing and recording on 1 January 2009.In 2016, after four years of study, Bruford earned a When interviewed in 1982, Bruford commented on his ability to compose for King Crimson. In late 1974, he became a temporary member of the French-Anglo band After Genesis, Bruford became involved in a tentative rock trio with Bruford resumed activity in his own group to release In 1981, Bruford returned to King Crimson in a new formation with Fripp, In 1983, Bruford formed a duo with Swiss keyboardist and former Yes member Bruford temporarily put Earthworks on hold in 1988 after In January 1991, Bruford reconvened Earthworks: the group would continue in its current form until 1993, recording one further studio album and a live album before the departure of Django Bates and the subsequent fissioning of the whole band. 5

Bill Bruford When in Doubt, Roll! 6 Get track Winterfold Records curates and controls the [...]In our family, my portly but genial brother was not academically inclined.

He has also experimented widely with new technologies for … "Many artists have cited Bruford as an influence, including 1994–2009: King Crimson, Earthworks II, and retirement1994–2009: King Crimson, Earthworks II, and retirement ', was first published in 1988.

From his tenures with 35 15 [...]In social media and down the pub a favourite game for music fans seems to be ‘‘What If?’  ‘What if’ your favourite band had stayed [...]Bill Bruford and Michiel Borstlap are pleased to announce the release of Sheer Reckless Abandon, a 4 disc set collecting together all of their releases [...]As you may know, Winterfold Records and Summerfold Records are in transition to a complete reissue of both catalogues.

Earthworks needed a come-back album that took no prisoners, and much of this I really like.






King Crimson re-emerged once more in 1994 as a six-piece band, consisting of its 1980s line-up with In 1997, Bruford moved focus from rock to acoustic jazz, partly due to the fact that he felt jazz required a return to a beginning jumping-off point.While Earthworks remained Bruford's primary focus, he also sought other collaborations in the final twelve years of his career. From his tenures with Yes, Genesis and King Crimson in progressive rock to recordings with his bands Bruford and Bill Bruford's Earthworks in jazz, his precision and imagination are distinctive.
Musically, it doesn’t get much better than to have some of you own music arranged for a little big band of crack NYC players and to be able to present it in a top NYC jazz club.