Während Corman in den 1950er Jahren den postapokalyptischen Monsterfilm mitgestaltete wie In den 1960er Jahren kaufte Roger Corman einige russische Neben seinen quirligen Schnellschüssen unterstützte Corman stilsicher den In den späten 1980er Jahren gründete er neben seinem Concorde-Studio in Gelegentlich wird Roger Corman der Titel „King of B-Movies“ verliehen, eine Bezeichnung, die er aber ablehnt. "Producing is easy. Zwar gewann Corman in seiner Karriere wenig prestigeträchtige Auszeichnungen, seine unterhaltsamen und auch oft radikalen Filme spielten aber alle Gewinne ein – wie auch seine Autobiografie bemerkt: „How I Made a Hundred Movies in Hollywood and … Ordinary pictures don't make money. They financed Corman's next film as director, the science-fiction story In June, Corman made a science-fiction film for Allied Artists, In August 1956, AIP financed a Corman heist movie shot in Hawaii, For his own production company, Corman made a rock-and-roll "quickle", In April 1957, Corman announced he would try to make two films back-to-back from then on to save costs.Corman received his first serious critical praise for He helped produce two films for Allied Artists, both from scripts by In January 1959, Corman announced he would be moving into distribution.AIP wanted Corman to make two horror films for them, in black and white, at under $100,000 each on a 10-day shooting schedule.

He proposed making a film in color for $200,000, shot over 15 days. On Demme, see Charlie Rose (PBS), first aired April 29, 2017. In the early 1960s, American International Pictures gained some acclaim by combining Roger Corman, Vincent Price and the stories of Edgar Allan Poe into a series of horror films, with scripts by Richard Matheson, Charles Beaumont, Ray Russell, R. Wright Campbell and Robert Towne. Zwar gewann Corman in seiner Karriere wenig prestigeträchtige Auszeichnungen, seine unterhaltsamen und auch oft radikalen Filme spielten aber alle Gewinne ein – wie auch seine Autobiografie bemerkt: „How I Made a Hundred Movies in Hollywood and Never Lost a Dime“ (1998).


Seine Spezialität wurden Geschichten, die dem Zeitgeist entsprachen, schnell und handwerklich korrekt zu geringen Budgets verwirklicht und vermarktet wurden.
The … He announced plans to make films budgeted between $2–5 million using cash from his sale of New World to finance personally. Denn Bereits seit den 1960er Jahren trat Corman auch als Nebendarsteller in Filmen auf, in den 1990ern auch in größeren Produktionen wie Corman claimed that New World failed to honor their guarantee to distribute his movies at a fee of 15%.

Seine Spezialität wurden Geschichten, die dem Zeitgeist entsprachen, schnell und handwerklich korrekt zu geringen Budgets verwirklicht und vermarktet wurden. During the 1960s Corman directed eight lavish gothic horror films based on the stories of Edgar Allan Poe, including House of Usher (1960), The Pit and the Pendulum (1961), The Raven (1963), The Haunted Palace (1963), and The Masque of the Red Death (1964). Much of Corman's work has an established critical reputation, such as his cycle of low-budget cult films adapted from the tales of Edgar Allan Poe. New World agreed to distribute all of Corman's films until March 1984. He set up a new production company, Millennium – the title of which was taken from the name of a 1981 retrospective of Corman's work at the National Film Theatre of London. Corman was established as their leading filmmaker.